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Mirrored from Infotropism. You can comment there or here.

You think those Google recruiters would know not to contact me, but the other day I got another perky “Opportunities at Google” email from one of them, telling me that they’d found my “online profile” and that based on my experience they think I “could be a great addition to our team!”

Riiiiight.

Since I just deleted my LinkedIn profile, I emailed them asking where they’d found this “online profile”, since it was obviously outdated. Oddly enough, it seems they’d found a page about me on the Geek Feminism Wiki, and were using the rather sketchy outline of my open source background there as justification for trying to recruit me.

The recruiter admitted that the page was out of date, and asked me to let them know what I’d been up to lately so they could add it to their records. Below is a copy of what I sent them. I’m posting it here, lightly edited, for anyone who’s interested, and in the hopes that the next Google recruiter (I have no doubt that there’ll be one) might use that web search thingamajig to find out whether I’m a suitable candidate before emailing me.


Here’s what I’ve been up to for the last couple of years, since you asked.

In July 2010 the startup I was working for, Metaweb, was acquired by Google. I was brought in on a 1-year fixed term employment contract, since the group we were acquired into (Search) didn’t really know what to do with a technical community manager. I attempted to transfer my role over to Developer Relations, but was told that I “wasn’t technical enough” for the job I’d been doing for 3+ years, presumably because I didn’t have a computer science degree and believed that supporting our developer community was more important than being able to pass arbitrary technical quizzes.

Around the same time, Google started to develop Google+. As a queer/genderqueer woman, victim of abuse, and someone who was (at that very time) experiencing online harassment and bullying, I was very vocal within Google for the need for Google+ to support pseudonymity. Google decided not to do that, and instead told people they should use “the name they are known by” while in actual fact requiring their full legal names, in many cases requiring people to provide copies of their government ID when challenged. (Extensive documentation about this is available on the Geek Feminism wiki, if you’d like to read it. See Who is harmed by a “Real Names” policy? for starters.)

When I walked out the door of Google’s San Francisco office on July 15th, 2011, I was very glad to have left a company I thought was doing evil towards any number of marginalised and at-risk people. My first tweet on leaving was to criticise them for it.

Less than a week later I got my first email from a Google recruiter — not first ever, of course; I’d been spammed with them for years, but first since I quit working for them. Here’s the blog post I wrote about it. In case you can’t be bothered clicking through and reading it, here’s the money shot:

If you are a Google recruiter, and you want me to interview for SWE or SRE or any role that has an algorithm pop quiz as part of the interview, if you want me to apply for something without knowing what team I’ll be working on and whether it meshes with my values and goals and interests, if you want me to go through your quite frankly humiliating interview process just to be told that my skills and qualifications — which you could have found perfectly easily if you’d bothered to actually look before spamming me — aren’t suitable for any of the roles you have available, then just DON’T.

The very day after I blogged about that, my Google+ account was suspended, for using the name I was almost universally known by. Over the next couple of months, I campaigned tirelessly for Google+ to change its policies, working with the EFF and other advocates. My work was covered in Wired, The Atlantic, and a number of other mainstream press outlets. Obviously this was to no avail as Eric Schmidt (at the time, CEO of Google) described pseudonymous users like me as “a dog or a fake person” and no substantive change has ever been made to allow pseudonymous use of the service, despite promises to do so.

I returned to Australia and went back to school. I did a semester of Sound Production at TAFE, but it turned out that the sound engineering course I was enrolled in wasn’t really my cup of tea, just like I’d previously decided, back in the ’90s, that university wasn’t for me. Like so many others, I quit my computing degree because I was more interested in the Internet and open source software than in fixing COBOL applications for banks who were worried about Y2K. But then, I’m sure Google’s HR system already knows all about that — if I’d had a degree, you might have considered me worth keeping on last year. Instead, Google’s reliance on higher education credentials causes it to weed out people like me, even though I have a track record a mile long and buckets of evidence to show that I’m good at what I do.

In the end, I’ve spent most of the last year lying in hammocks reading books, working in my garden, going to gigs, hanging around recording studios, doing the odd bit of freelancing, and, over the last few months, travelling around Europe. It’s given me a good opportunity to reflect on my previous work.

Since I’ve been out of the Silicon-Valley-centred tech industry, I’ve become increasingly convinced that it’s morally bankrupt and essentially toxic to our society. Companies like Google and Facebook — in common with most public companies — have interests that are frequently in conflict with the wellbeing of — I was going to say their customers or their users, but I’ll say “people” in general, since it’s wider than that. People who use their systems directly, people who don’t — we’re all affected by it, and although some of the outcomes are positive a disturbingly high number of them are negative: the erosion of privacy, of consumer rights, of the public domain and fair use, of meaningful connections between people and a sense of true community, of beauty and care taken in craftsmanship, of our very physical wellbeing. No amount of employee benefits or underfunded Google.org projects can counteract that.

Over time, I’ve come to consider that this situation is irremediable, given our current capitalist system and all its inequalities. To fix it, we’re going to need to work on social justice and rethinking how we live and work and relate to each other. Geek toys like self-driving cars and augmented reality sunglasses won’t fix it. Social networks designed to identify you to corporations so they can sell you more stuff won’t fix it. Better ad targetting or content matching algorithms definitely won’t fix it. Nothing Google is doing will fix it, and in fact unless Google does a sharp about-turn, they’ll only worsen the inequality and injustice there is in the world.

I guess you’ll want to know what I’m working on at the moment. My current project is an open source, open data project called Growstuff, which helps food gardeners track and share information about what they’re growing and harvesting. It is built on principles of sustainability, including a commitment to a diverse and harassment-free community, to actively supporting developers rather than excluding them based on misguided ideas of meritocracy, and to funding the project through means that will never put the people running the website in opposition to our customers. That means no ads, in case you’re wondering. We’d rather our members paid us directly; that way, we’ll never forget who we’re meant to be serving. I’m working on Growstuff from home, where I can be myself and feel safe and comfortable. I work with volunteers from all round the world, and get to teach programming and web development and system administration and project management and sustainability to all kinds of people, especially those who’ve previously been excluded from or marginalised in their technical education or careers. We get to work on things we know are wanted and appreciated, and we don’t have to screw anyone around to do it.

Let me know when Google has changed enough to offer me something more appealing than that. If you don’t think that’s likely to happen, then please put me on whatever “Do Not Contact” blacklist you might have handy. I know you must have some such list; I only wish you regularly referred to it instead of spamming people who not only don’t want to work for you, but have nightmares about it.

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Mirrored from Infotropism. You can comment there or here.

  • Plan a Trip Through History With ORBIS, a Google Maps for Ancient Rome – How come it took three weeks for me to hear about this mapping hack to help you understand travel routes and expenses in Ancient Rome? Maps, history, digital humanities — what's not to love? I only wish this existed for other time periods. Imagine how useful it would be for people writing historical fiction!
  • Criminal Creativity: Untangling Cover Song Licensing on YouTube – A few interesting things here, including the little-known fact that you need a (nearly impossible to get, if you're an ordinary person) synch license to post a cover song on YouTube, and that ContentID can now identify cover songs, up to and including drunk guys belting out "Bohemian Rhapsody" in the back of police cars.
  • Brodustrial: WWJD? – Via jwz: an industrial music performer discovers he's booked to play alongside some really nasty bigots. Asking, "What Would Jello Biafra Do?" he ends up calling out the racism and sexism of the other bands' lyrics, videos, and album art in a PowerPoint presentation — while opening for them. It's good viewing, but NSFW.
  • bootlegMIC | Open Music Labs – A better mic for your iPhone, inspired by the crappy sound of all the concert videos on YouTube. Sold as a kit, the bootlegMIC is a small electret mic that plugs into your phone's headphone jack. Gain adjustment is done by swapping out resistors til you find one that works for your phone and use case.
  • DJ Rupture’s Sufi Plug Ins – Great post about Western assumptions built into music software such as Ableton, and some plugins that challenge those assumptions.
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Mirrored from Infotropism. You can comment there or here.

  • Ravelry API – Wait, what? How did I miss this. Ravelry has an API now, and they've been using it internally since Feb 2012, so it isn't just an unloved add-on. (You probably can't follow the link, which is to the Rav API forum, unless you're a member. But anyone who might be interested in this probably is already, so…)
  • Our real first gay president – Newsweek says Obama's the US's "first gay president", ignoring James Buchanan, who was openly gay in the 19th century. This article has some great context and thoughts on the ideology of progress. "Remembering that James Buchanan was homosexual complexifies our national narrative, to be sure, but it is a complexity that we need."
  • The world’s hottest digital markets: a music map – Interesting… this map is trying to show you digital music services' market share worldwide, but it also lets you see which digital music services are available in which countries.
  • Welcome to Life « Tom Scott – A science fiction story about what you see when you die. Or: the Singularity, ruined by lawyers.
  • The Bombay Royale – Karle Pyar Karle – Check out The Bombay Royale. They're a Melbourne band (including some recent graduates from my school) who play surf/disco/funk/Bollywood fusion, and apparently they've got a gig at the HiFi Bar on Swanston Street this Saturday. I'm planning on going.
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Mirrored from Infotropism. You can comment there or here.

Today was my first day of school: the Certificate IV in Sound Production, leading (next year) to the Advanced Diploma in same, at NMIT. It’s the next step on a journey that started in January last year, when Google decided I wasn’t their kind of nerd, and it started to become clear what their plans were with regard to Google Plus and names (definitely not their kind of nerd, since I believe people have the right to control their own identity). I decided to quit and do something else. I was recently going through my (locked) Dreamwidth posts from that time, and it’s funny how quickly I made the decision to change careers, even though I didn’t announce it publicly til May.

Anyway, today was my first day on campus for classes. I’m studying at the Fairfield campus, which is the old infectious diseases hospital. The heritage listed Federation buildings, well-groomed grounds, and natural light in the classrooms are fantastic, but the isolation and lack of lunch options less so. I caught the tram/bus down there today, but from tomorrow I’m going to be biking along Merri Creek.

The morning was spent in orientation sessions, which were just as boring as you might expect (I took my knitting), then the afternoon in going over the student handbook and assessment criteria, followed by our first class in Occupational Health and Safety. My cohort is approximately 25 students, of whom five are women (a better ratio, I note, than any tech job I’ve had in the last decade or so). Most are recent school leavers; among the “mature” students, I am apparently the most mature (ha!), being the only one who can remember the introduction of CDs in the early 1980s. Only a handful of students were born before 1990.

The course is vocational, which means it focuses on practical applications and only gives you the theory you need to get the job done. I have about 18 hours of classes a week, spread across four days (Fridays are free), and we’ve been told that we generally won’t get homework or assessment tasks that need to be done outside of our scheduled time. I’ve been explaining TAFE to my US friends as “community college crossed with DeVry” but in fact the curriculum is closer to DeVry; there are no general education credits, and no classes outside of our vocational focus. There’s also very little attention paid (as far as I can tell so far) to the sort of cultural analysis or free-ranging ideas-based discussion that I tend to get from the mostly university-educated nerds I hang out with.

For example, one of the instructors today, when describing an instruction unit called “Implement copyright arrangements”, stated outright that “copyright is the only way people in the music industry can make money”.

(Pause for all my copyright reformist friends to pound their heads on their desks.)

Another thing I heard today, from our OHS instructor, is that rock and roll makes you horny. Well, sure, I’ll buy that. But he said it’s because the sacculus (part of the inner ear) responds in a certain way to vibrations over 90dB (the volume at which rock and roll is typically played), provoking an erotic response.

Is this something that’s widely believed? All I found when googling “sacculus erotic response” was a scam trying to sell “Pherotones” (I won’t link), a sort of ring tone for your phone that makes you (the default heterosexual male customer, of course) irresistable to girls, based on magical frequencies that vibrate the sacculus in a certain way. Classy.

Google Scholar, however, turned up the work of Dr Neil Todd of Manchester University, who published papers such as Vestibular responses to loud dance music: A physiological basis of the “rock and roll threshold” (1999) and Evidence for a behavioral significance of saccular acoustic sensitivity in humans (2001). Their research was reported in New Scientist, which summarised it as:

Because the vestibular system has a connection to the hypothalamus, the part of the brain responsible for drives like hunger, sex and hedonistic responses, Todd believes that people might be getting a pleasurable buzz when they listen to music–which could explain why music has developed into such a cultural force. This buzz may mimic the thrills people get from swings and bungee jumping, where motion stimulates the balance centre.

But there is a proviso: the sacculus only appears to be sensitive to loud volumes–above 90 decibels. Despite this, crooners could also love their own singing because sound levels in the larynx have been estimated to be as high as 130 decibels. “It’s bloody loud in there,” Todd says.

[...]

“The distribution of frequencies that are typical in rock concerts and at dance clubs almost seem designed to stimulate the sacculus. They are absolutely smack bang in this range of sensitivity,” Todd says. Large groups of people singing or chanting together, such as a choir or a crowd at a sporting event, could also trigger the mechanism, he adds.

I haven’t read the full papers (ahem, mainstream academic publishing prevents spread of knowledge, blah blah copyright blah blah revolution blah blah first up against the wall), but as far as I can tell, the experiments involved getting a small number of subjects, taping electrodes to their necks, then playing blips of noise at certain volumes and frequencies and watching their neck tension. The neck tension demonstrates that the sounds are affecting the sacculus. What’s the connection between that and pleasure, though? Well, the participants are “required to rate the pleasantness of the stimuli on a nine-point scale”. So there is no connection between the two that’s not mediated via a subjective judgement. Oh… kay.

So I guess if you believe that the sacculus response and the pleasure are connected, that that pleasure is necessarily sexual, and that 10ms single-frequency blips are equivalent to, say, seeing AC/DC play live, then sure, rock and roll makes you horny. I could have told you that, but I probably would have mentioned something about low lights, sexually oriented lyrics, crowds of sweaty people moving against each other, and alcoholic disinhibition. Still, it was a lecture about hearing and hearing loss, not about cultural context, so that’s beside the point.

In passing, while looking for this stuff, I also found (in this article) what is possibly the greatest “no shit, Sherlock!” statement I’ve seen so far in the study of rock and roll: “Studies suggest that there is an increase in alcohol consumption in environments with loud music (van de Goor, 1990).” Apart from muttering “correlation mumble mumble causation” under my breath, it does occur to me that the field research for that one must have been fun.

Tomorrow I have classes in repairing and maintaining audio equipment (yay electronics) and editing dialogue (boo Pro Tools). I suspect once we pick up the pace and really get to work I’ll enjoy it more than I did today’s administrivia. Still, I suspect I’m going to have a challenging time focusing on the vocational skills that actually form the curriculum, and saving my semantic nitpicking, cultural critique, and plans for the downfall of the RIAA for more appropriate forums. Wish me luck.

graffiti and posters in Centre Place, Melbourne

One of Melbourne's laneways (Centre Place), Jan 2012

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