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  <id>tag:dreamwidth.org,2009-05-20:368588</id>
  <title>skud</title>
  <subtitle>skud</subtitle>
  <author>
    <name>skud</name>
  </author>
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  <updated>2011-02-20T02:18:09Z</updated>
  <dw:journal username="skud" type="personal"/>
  <link rel="hub" href="http://pubsubhubbub.appspot.com/"/>
  <entry>
    <id>tag:dreamwidth.org,2009-05-20:368588:1874</id>
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    <title>Links of interest</title>
    <published>2011-02-07T05:33:48Z</published>
    <updated>2011-02-20T02:11:16Z</updated>
    <category term="xena"/>
    <category term="gender"/>
    <category term="open stuff"/>
    <category term="harry potter"/>
    <category term="transformative works"/>
    <category term="youtube"/>
    <category term="wikipedia"/>
    <category term="fandom"/>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">&lt;p style="text-align: right"&gt;&lt;small&gt;Mirrored from &lt;a href="http://infotrope.net/2011/02/06/links-of-interest/" title="Read Original Post"&gt;Infotropism&lt;/a&gt;.  You can comment &lt;a href="http://infotrope.net/2011/02/06/links-of-interest/#comments"&gt;there&lt;/a&gt; or here.&lt;/small&gt;&lt;/p&gt;&lt;p&gt;Let&amp;#8217;s close some of these browser tabs!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Youtube vs. transformative works&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.feministfrequency.com/2011/02/how-i-fought-against-a-youtube-takedown-and-eventually-won/"&gt;How I fought against a Youtube takedown and eventually won&lt;/a&gt;.  The creator of a political remix vid criticising the under-representation of women in video games tells how her video was removed as &amp;#8220;inappropriate content&amp;#8221;, and how she fought back with the help of the &lt;a href="http://www.newmediarights.org/"&gt;New Media Rights&lt;/a&gt; group. (&lt;a href="http://laurashapiro.dreamwidth.org/313589.html"&gt;Via&lt;/a&gt; Laura Shapiro.)&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt; YouTube needs a process (a transparent one even) informing us if our videos have been removed, why they have been removed and how we can file a dispute.  It is absurd that I had to find a lawyer who had to contact YouTube’s lawyers just to get my 1 min video, which was wrongfully removed in the first place, back on YouTube.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;&lt;strong&gt;Wikipedia and women&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Last week, the New York Times published &lt;a href="http://www.nytimes.com/2011/01/31/business/media/31link.html?"&gt;an article about the gender gap in Wikipedia editors&lt;/a&gt;.  Sue Gardner, the Executive Director of the Wikimedia Foundation, has &lt;a href="http://suegardner.org/2011/01/31/new-york-times-prompts-a-flurry-of-coverage-of-wikipedias-gender-gap/"&gt;a great link roundup&lt;/a&gt; of posts relating to the subject.&lt;/p&gt;
&lt;p&gt;Related: My friend Shane has launched &lt;a href="http://cliotropic.org/blog/2011/02/introducing-wikiproject-womens-history/"&gt;WikiProject Women&amp;#8217;s History&lt;/a&gt;, to improve Wikipedia&amp;#8217;s coverage of women in history.&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;Anyone can participate, but I’d particularly love to see more professional scholars get involved. I know that there’s significant opposition to Wikipedia in some academic quarters, but I think that the information there isn’t going to get better unless people who actually know this stuff start pitching in. I’d really like WikiProject Women’s History to deploy a good quality scale that helps our students evaluate whether the material in any given entry is trustworthy for their own research. And, as I’ve already said, I think that competent undergrads can be involved in this work very fruitfully as a learning project.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;&lt;strong&gt;&amp;#8220;Open stuff&amp;#8221;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://codinginparadise.org/weblog/2008/04/whats-open-web-and-why-is-it-important.html"&gt;What is the Open Web and why is it important?&lt;/a&gt; Posted in 2008, this article touches on many of the underlying principles behind &lt;a href="http://infotrope.net/2011/01/28/why-im-not-an-open-source-person/"&gt;&amp;#8220;open stuff&amp;#8221;&lt;/a&gt; (which I posted about a week or so back).&lt;/p&gt;
&lt;p&gt;Tim Bray posted a set of &lt;a href="http://www.tbray.org/ongoing/When/201x/2011/02/04/Moving-Left"&gt;links to political articles&lt;/a&gt; that he&amp;#8217;d recently appreciated.  One of these, &lt;a href="http://yglesias.thinkprogress.org/2010/04/the-very-big-picture/"&gt;The Very Big Picture&lt;/a&gt; by Matthew Yglesias, is worth quoting at length:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;In other words, people are step-by-step liberating themselves not from market capitalism as a means of obtaining consumer goods but from wage slavery in the worker-capitalist relationship.&lt;/p&gt;
&lt;p&gt;And you can see that the basic architecture of this trend is fiercely and passionately contested. When I was in Finland, where they have quite a mild right-wing, the thing that the conservative politician I spoke to seemed really upset about was the idea that Finnish kids are spending too much time in university. Too many students in college! Too many of them getting master’s degrees! Sometimes people would even take time off from their studies to travel! Here in the United States a huge swathe of the pundit class seems to deem it outrageous that the Social Security retirement age hasn’t increased as rapidly as average life expectancy. Don’t people know that they were put on this planet to work! How dare we, as a society, take some of our increased productivity in the form of an increased measure of liberation from our employers rather than more material possessions? The public, sensibly, doesn’t see it that way. When life expectancy grows faster than the retirement age, humanity is making progress.&lt;/p&gt;
&lt;p&gt;Meanwhile, it’s more possible than ever for people’s non-commercial labors to have a meaningful impact on the world. I think open source software is exciting. I think amateur mashups are exciting. I think digital distribution of albums recorded on the cheap by people playing music for fun while holding down day jobs is exciting. I think fan fiction is exciting. I think people who work at universities and other non-profits writing blogs to inform and entertain is exciting. I think people diligently recording the progress of their neighborhood and organizing for a better city is exciting. Wikipedia is, of course, indispensable these days and Wikileaks is doing a tremendous job.&lt;/p&gt;
&lt;p&gt;I wonder where this will take us. At the moment the cohort of people with the most opportunity to engage in non-commercial activities—retirees—is the very same cohort that’s least inclined to avail itself of digital technology.
&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;&lt;strong&gt;Fannish opinion&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Eruthros &lt;a href="http://eruthros.dreamwidth.org/311015.html"&gt;posts about Xena: Warrior Princess&lt;/a&gt; with a decade or so&amp;#8217;s perspective, recommending it while remaining critical of its problems:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;Guys, I miss that show. I miss the strange and beautiful combination of camp and wtf and tragedy and drama. I miss the women who love each other that intensely. I miss women with emotional scars. I miss (my corner of) the fandom(s) where the most common pairings were Xena/Gabrielle and Xena/Callisto and Xena/Lao Ma. I miss the working-motherhood and the fighting and the joking and the parodies and the hugs. I miss Xena singing and dancing and leaping over people&amp;#8217;s heads, and Gabrielle hitting everyone with sticks and writing it down later. I miss their despair and their tears and their hope and their joy. I miss the anachronisms, and the giant snakes, and the people in foam monster costumes, and the centaurs filmed only from the waist up, and the styrofoam monuments they borrowed from ST:TOS, and the fight scenes that completely ignore the laws of physics. I miss Xena and Gabrielle&amp;#8217;s determination and their anger and their laughter.&lt;/p&gt;
&lt;p&gt;I miss two ladies riding off into the sunset together after saving the day.&lt;/p&gt;
&lt;p&gt;(Though on the other hand I do not miss the noncon-mystical-pregnancy and the sexual assault metaphors and the Orientalism and the weird Christian season and the way Gabrielle and Xena could say they loved each other but could never actually, canonically, be sleeping together.)&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;Meanwhile, Thingswithwings takes on &lt;a href="http://thingswithwings.dreamwidth.org/130330.html"&gt;queer (in)visibility in Harry Potter, Battlestar Galactica, and Stargate: Atlantis&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;Basically I&amp;#8217;m astonished at the sheer efficacy of the Dumbledore strategy: acknowledge a queer character in an extra-textual space (the internet, interviews, webisodes, specials, outtakes) so that everyone thinks you&amp;#8217;re super-progressive and cool and doesn&amp;#8217;t notice that hey, you still haven&amp;#8217;t represented any queers anywhere.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;And seperis takes on that &lt;a href="http://www.wired.com/magazine/2010/12/ff_angrynerd_geekculture/all/1"&gt;head-desk-ingly irritating Wired article&lt;/a&gt; about the death of geek culture in &lt;a href="http://seperis.dreamwidth.org/74038.html"&gt;well, yeah, if by geek culture you mean men&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;Let&amp;#8217;s not romanticize the past in which we had to wait for years and go uphill both ways to get our manga, okay? That shit isn&amp;#8217;t nostalgic; that &lt;em&gt;sucked&lt;/em&gt;. It sucked.&lt;/p&gt;
&lt;p&gt;[...]&lt;/p&gt;
&lt;p&gt;You city geeks had it easy, baby; the nearest used bookstore was one almost-large room and I was buying third rate sci fi where the high point was finding &lt;em&gt;Mercedes Lackey&lt;/em&gt;&amp;#8211;say it with me, that was the &lt;em&gt;high point&lt;/em&gt;&amp;#8211;and Anne McCaffrey and God help me that shitty Thomas Covenant series that I read in desperation because it&amp;#8217;s not like there was a lot of choice there.&lt;/p&gt;
&lt;p&gt;[...]&lt;/p&gt;
&lt;p&gt;Yes, yes, the icky mainstream are all making your geek all less than special; those of us who, let me say this again, were reduced to &lt;em&gt;rapey incesty Thomas of white gold ringness&lt;/em&gt; and the Gor novels unironically shelved beside the sci-fi aisle saw the dawn of Amazon.com, hulu, and bittorrent like the second goddamn coming, okay? I waited &lt;em&gt;half my life&lt;/em&gt; to fall madly, desperately in love with a million things and Geek!Seperis of the dark days before the internet and access to Amazon would like to say, &lt;em&gt;are you kidding me&lt;/em&gt;?
&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;Phew, my browser is back under control.&lt;/p&gt;
&lt;div class="wp-caption aligncenter" style="width: 300px"&gt;&lt;a href="http://infotrope.net/wp-content/uploads/2011/02/mandala.jpg"&gt;&lt;img src="http://infotrope.net/wp-content/uploads/2011/02/mandala-290x290.jpg" alt="Mandala at Google" title="Mandala at Google " width="290" height="290" class="size-thumbnail wp-image-905" /&gt;&lt;/a&gt;&lt;p class="wp-caption-text"&gt;Random pic is random: Tibetan sand mandala in the lobby of Building 43, at Google's Mountain View campus&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=skud&amp;ditemid=1874" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-20:368588:1626</id>
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    <title>More on those ebook discussions</title>
    <published>2011-02-06T02:31:02Z</published>
    <updated>2011-02-06T18:07:49Z</updated>
    <category term="gender"/>
    <category term="dataviz"/>
    <category term="livejournal"/>
    <category term="ebooks"/>
    <category term="fandom"/>
    <category term="dreamwidth"/>
    <category term="intellectual-property"/>
    <category term="piracy"/>
    <category term="social justice"/>
    <dw:security>public</dw:security>
    <dw:reply-count>9</dw:reply-count>
    <content type="html">&lt;p style="text-align: right"&gt;&lt;small&gt;Mirrored from &lt;a href="http://infotrope.net/2011/02/05/more-on-those-ebook-discussions/" title="Read Original Post"&gt;Infotropism&lt;/a&gt;.  You can comment &lt;a href="http://infotrope.net/2011/02/05/more-on-those-ebook-discussions/#comments"&gt;there&lt;/a&gt; or here.&lt;/small&gt;&lt;/p&gt;&lt;p&gt;Over in the comments of the Dreamwidth mirror of &lt;a href="http://infotrope.net/2011/02/01/ebook-discussions-flying-under-the-radar/"&gt;my previous post&lt;/a&gt;, Elf &lt;a href="http://skud.dreamwidth.org/1100.html?thread=5708#cmt5708"&gt;asked&lt;/a&gt; whether I could redraw the graph of the ebooks discussions after removing her linkspam from the mix.  Good idea!&lt;/p&gt;
&lt;p&gt;In the end I removed several things:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Elf&amp;#8217;s linkspam (elf1)
&lt;li&gt;Kanata&amp;#8217;s linkspam (kanata)
&lt;li&gt;The entire tech-blog cluster (oreilly1, booksprung1, and those linked to them)
&lt;li&gt;Any posts that linked to mitchell but weren&amp;#8217;t otherwise connected to the graph
&lt;li&gt;Any posts which, after all that was done, were orphaned, not linking to anything else
&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;The results were interesting:&lt;/p&gt;
&lt;div class="wp-caption aligncenter" style="width: 610px"&gt;&lt;a href="http://infotrope.net/wp-content/uploads/2011/02/ebooks-interesting-600.jpg"&gt;&lt;img src="http://infotrope.net/wp-content/uploads/2011/02/ebooks-interesting-600.jpg" alt="ebooks discussion (no linkspam version)" title="ebooks discussion (no linkspam version)" width="600" height="642" class="size-full wp-image-871" /&gt;&lt;/a&gt;&lt;p class="wp-caption-text"&gt;ebooks discussion (no linkspam version) - full size &lt;a href="http://infotrope.net/wp-content/uploads/2011/02/ebooks-interesting.svg"&gt;SVG&lt;/a&gt;, &lt;a href="http://infotrope.net/wp-content/uploads/2011/02/ebooks-interesting.png"&gt;PNG&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;
&lt;p&gt;So, to reiterate, this is the &amp;#8220;interesting bits&amp;#8221; version of the LiveJournal/Dreamwidth discussion that took up most of the previous graph.  I&amp;#8217;ve also added something new to the visualisation: posts shown as ellipses happened on LJ/DW, and those in rectangles happened on non-LJ/DW blogs.  This makes it easy to see which parts of the conversation were happening where.  As I did last time, any post that was crossposted to at least one of LJ or DW counted as an LJ/DW post.&lt;/p&gt;
&lt;p&gt;Points of interest:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;In the lower left, there&amp;#8217;s a cluster of mostly authors or others involved in the publishing industry, many of them posting on non-LJ/DW blogs.
&lt;li&gt;The centre of the graph, especially those posts linking to troisroyaumes and colorblue1, are what I would characterise as members of the social justice/fandom community.
&lt;li&gt;At the upper right, also linking to some posts shown in the lower right, you can see that there were a handful of men mostly linking to other men (jimhines et al.)
&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;We already knew that the tech blogs were having their own discussion unconnected to the LJ/DW discussion, but now we can see that the authors/publishers were, for the most part, having a conversation disconnected from the fans.  The crossover between the author and fan conversations mostly happened via Karen Healey, a young author whose first YA novel was published last year, and who moves in both circles.&lt;/p&gt;
&lt;p&gt;I thought it would be interesting to take a look at the different conversations going on, and see how the actual content of them differed.  Here are &lt;a href="http://www.wordle.net/"&gt;Wordle&lt;/a&gt; diagrams of the three main clusters:&lt;/p&gt;
&lt;div class="wp-caption aligncenter" style="width: 610px"&gt;&lt;img src="http://infotrope.net/wp-content/uploads/2011/02/authors-wordle-600x339.png" alt="Authors wordle" title="Authors wordle" width="600" height="339" class="size-large wp-image-873" /&gt;&lt;p class="wp-caption-text"&gt;Authors wordle (based on: renesears1, mitchell, healey1, jimhines1, sjaejones, pauley1, seawasp)&lt;/p&gt;&lt;/div&gt;
&lt;div class="wp-caption aligncenter" style="width: 610px"&gt;&lt;img src="http://infotrope.net/wp-content/uploads/2011/02/socjust-wordle-600x370.png" alt="Social justice/fandom wordle" title="Social justice/fandom wordle" width="600" height="370" class="size-large wp-image-874" /&gt;&lt;p class="wp-caption-text"&gt;Social justice/fandom wordle (based on: qian1, deepad, colorblue, starlady, marina1, marina2, wistfuljane)&lt;/p&gt;&lt;/div&gt;
&lt;div class="wp-caption aligncenter" style="width: 610px"&gt;&lt;img src="http://infotrope.net/wp-content/uploads/2011/02/tech-wordle-600x266.png" alt="Tech blog wordle" title="Tech blog wordle" width="600" height="266" class="size-large wp-image-875" /&gt;&lt;p class="wp-caption-text"&gt;Tech blog wordle (based on: oreilly1, booksprung2, oleary, librarything, booki.sh, shatzkin2, wired)&lt;/p&gt;&lt;/div&gt;
&lt;p&gt;It&amp;#8217;s no real surprise to find that each of these groups was writing about different stuff, but I still find it interesting to see the words that pop out in each picture: &amp;#8220;publishers&amp;#8221; and &amp;#8220;illegal&amp;#8221; in the author wordle; &amp;#8220;people&amp;#8221;, &amp;#8220;Western&amp;#8221;, and &amp;#8220;indigenous&amp;#8221; in the social justice one; &amp;#8220;piracy&amp;#8221; and &amp;#8220;DRM&amp;#8221; among the tech bloggers.&lt;/p&gt;
&lt;p&gt;Again, for reference, links to all the blog posts referenced can be found in &lt;a href="https://spreadsheets.google.com/ccc?key=0AnnFGHT3ZWnAdDd2UGFNcnZwSDVWSnYzd2tPNndfc1E&amp;amp;hl=en"&gt;this spreadsheet&lt;/a&gt;.&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=skud&amp;ditemid=1626" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-20:368588:814</id>
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    <title>Why I&amp;#8217;m not an open source person any more</title>
    <published>2011-01-29T01:39:39Z</published>
    <updated>2011-02-20T02:18:09Z</updated>
    <category term="creative commons"/>
    <category term="otw"/>
    <category term="agile"/>
    <category term="internet"/>
    <category term="statusnet"/>
    <category term="kickstarter"/>
    <category term="unconferences"/>
    <category term="intellectual-property"/>
    <category term="dmca"/>
    <category term="activism"/>
    <category term="art"/>
    <category term="diaspora"/>
    <category term="etsy"/>
    <category term="fandom"/>
    <category term="open-source"/>
    <category term="anonymous"/>
    <category term="wikipedia"/>
    <category term="bandcamp"/>
    <category term="open access"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;p style="text-align: right"&gt;&lt;small&gt;Mirrored from &lt;a href="http://infotrope.net/2011/01/28/why-im-not-an-open-source-person/" title="Read Original Post"&gt;Infotropism&lt;/a&gt;.  You can comment &lt;a href="http://infotrope.net/2011/01/28/why-im-not-an-open-source-person/#comments"&gt;there&lt;/a&gt; or here.&lt;/small&gt;&lt;/p&gt;&lt;p&gt;I&amp;#8217;ve been having this conversation a bit lately so I just wanted to put it out there.&lt;/p&gt;
&lt;p&gt;From 1998-2007 I worked full time in open source software.  I considered myself a member of the open source community.  Open source was kind of my &amp;#8220;thing&amp;#8221;.&lt;/p&gt;
&lt;p&gt;This is no longer true.  &lt;/p&gt;
&lt;p&gt;I still use open source software extensively (I&amp;#8217;m writing this in WordPress, using Mozilla on Gnome on Ubuntu), but then, so does everyone, whether they know it or not.  Sometime around the early 2000s, Linux and other open source software stopped being a fringe, weirdo thing and started just being a sensible choice for most Internet projects.  And since almost everything&amp;#8217;s on the Internet these days, well, open source is just something that &lt;em&gt;is&lt;/em&gt;.  &lt;/p&gt;
&lt;p&gt;To put it another way: if the open source movement were a software project, I&amp;#8217;d say that software project is in maintenance mode.  It&amp;#8217;s out there, it has widespread adoption, and while there&amp;#8217;s still work to be done, it&amp;#8217;s more the ongoing work of keeping things going than the initial big push to get it launched. And I&amp;#8217;m not much good at maintenance projects.&lt;/p&gt;
&lt;p&gt;So what am I doing these days?  When people ask me I usually say, &amp;#8220;Open&amp;#8230; stuff.&amp;#8221;  And then I wave my hands a bit.  In my day job with &lt;a href="http://freebase.com/"&gt;Freebase&lt;/a&gt; I mostly work with open data.  But I&amp;#8217;m also interested in those sort of open principles as they&amp;#8217;re applied to other aspects of our lives.  &lt;/p&gt;
&lt;p&gt;A short list of things I consider to fall under the umbrella of &amp;#8220;open stuff&amp;#8221;:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Intellectual property reform and alternatives to the current copyright system (eg. &lt;a href="http://creativecommons.org/"&gt;Creative Commons&lt;/a&gt;, &lt;a href="http://www.eff.org/issues/dmca"&gt;anti-DMCA efforts&lt;/a&gt;, etc.)
&lt;li&gt;Increased access to knowledge, information, and art (&lt;a href="http://wikipedia.org/"&gt;Wikipedia&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Open_access_journal"&gt;open access journals&lt;/a&gt;, &lt;a href="http://www.scarleteen.com/"&gt;Scarleteen&lt;/a&gt;)
&lt;li&gt;Decentralised social networking platforms (&lt;a href="http://status.net/"&gt;StatusNet&lt;/a&gt;, &lt;a href="http://joindiaspora.com"&gt;Diaspora&lt;/a&gt;)
&lt;li&gt;Radical online collaboration and novel ways for groups to work together online (&lt;a href="http://wikipedia.org/"&gt;Wikipedia&lt;/a&gt;, of course, but also &lt;a href="http://en.wikipedia.org/wiki/Anonymous_%28group%29"&gt;Anonymous&lt;/a&gt;, which I think is fascinating and important even if I mostly disagree with them)
&lt;li&gt;Using technology to connect and empower members of marginalised groups (&lt;a href="http://genderplayful.tumblr.com/"&gt;Genderplayful Marketplace&lt;/a&gt;, &lt;a href="http://www.hackabilityblog.com/"&gt;disability hacking&lt;/a&gt;)
&lt;li&gt;Using the Internet for social change and grassroots political activism (too many to list, but &lt;a href="http://twitter.com/#!/search/jan25"&gt;#jan25&lt;/a&gt; seems timely)
&lt;li&gt;Non-traditional, non-hierarchical ways of working on projects (&lt;a href="http://en.wikipedia.org/wiki/Agile_software_development"&gt;Agile&lt;/a&gt;, consensus-driven, anarchic)
&lt;li&gt;Grass-roots, community-run, egalitarian events (&lt;a href="http://en.wikipedia.org/wiki/Unconference"&gt;unconferences&lt;/a&gt; and the like)
&lt;li&gt;Unofficial/unlicensed fan activities, especially creative/critical/transformative fanworks and the communities around them (&lt;a href="http://transformativeworks.org/"&gt;Organization for Transformative Works&lt;/a&gt;, &lt;a href="http://reason.com/archives/2008/07/18/remixing-television"&gt;vidding&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Scanlation"&gt;scanlation&lt;/a&gt;)
&lt;li&gt;Small-business and micro-entrepreneurial activities on the Internet, especially as they enable independent artists/writers/musicians/creators (&lt;a href="http://etsy.com/"&gt;Etsy&lt;/a&gt;, &lt;a href="http://kickstarter.com/"&gt;Kickstarter&lt;/a&gt;, &lt;a href="http://bandcamp.com"&gt;Bandcamp&lt;/a&gt;)
&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;There&amp;#8217;s more, of course, but all those are things that excite me.  It feels like there&amp;#8217;s something broader there &amp;#8212; not just software, but a whole cluster of Internet-related things that are about giving people more options, more ways to express themselves, more ways to make a difference, more ways to (at the risk of sounding a bit woo-woo) realise their potential.  Ideally while not being beholden to, or at the risk of being shut down by, any one corporation or government or institution.&lt;/p&gt;
&lt;p&gt;Of course open source software is a part of this, but I don&amp;#8217;t think it&amp;#8217;s the only part, and it&amp;#8217;s definitely not the leading or most important part for me any more. So, if you invite me to speak or write or come to an open source event or whatever, and I say &amp;#8220;I don&amp;#8217;t really work in open source any more,&amp;#8221; this is what I&amp;#8217;m talking about.  Hope that makes sense.&lt;/p&gt;
&lt;p&gt;(That said, if you read this and you&amp;#8217;d still like me to speak/write/attend your open source thing and talk about &amp;#8220;open stuff&amp;#8221; in a more general sense, let me know.)&lt;/p&gt;
&lt;div class="wp-caption aligncenter" style="width: 300px"&gt;&lt;a href="http://infotrope.net/wp-content/uploads/2011/01/dolores.jpg"&gt;&lt;img src="http://infotrope.net/wp-content/uploads/2011/01/dolores-290x290.jpg" alt="Dolores Park mural" title="Dolores Park mural" width="290" height="290" class="size-thumbnail wp-image-907" /&gt;&lt;/a&gt;&lt;p class="wp-caption-text"&gt;Random pic is random: Dolores Park mural, at the corner of 18th and Guerrero, San Francisco.  In the style of Georges Seurat's A Sunday on La Grande Jatte.&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=skud&amp;ditemid=814" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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